Universal Osmosis

Universal Osmosis

As an avid photographer, Susan Griffith-Jones has been shooting ‘marvellous’ visions of places and people all over the globe.

Her love of the art of photography is here combined with contemplation of the various techniques and universal spiritual truths of existence taught to her by her Spiritual Masters that over the years she has come to display the meanings of in large, symbolic pictures that contain many photos in mosaic.

Laid upon a base of ply board covered with coloured cloth, particular shapes to highlight certain meanings are then cut out from cardboard and again covered with varying colours of cloth and stuck down upon that base. Photos that have been carefully chosen within a certain theme are then placed upon those shapes to enhance their meanings, ultimately making up one whole shape of sacred geometrical significance, as well as emanating the energy of sacred power spots to the beholder, due to their careful positioning.

Calling this technique Photo Collage Art’, Susan’s first book on this art form, Universal Osmosis  is going to be an autobiographical work on the journey she passed along to create these kinds of pictures.

The book especially focuses on the people who inspired her, many of the synchronous occurrences that influenced how she developed the content and themes for each picture, as well as the intricate meanings of all 5 of these first pieces that make up Series 1 of her work that she displayed at her exhibition, ‘Universal Osmosis’, London, UK, October-November 2016.

The ‘Photo Collage Art’ pieces … included in this book are:

 


Ganga, Life of A River

Ganga Book

Since 2007, Susan has been visiting various sections of the River Ganga, and both filming and photographing them.

Her extensive 13 year work on the river has lead her all the way from Ganga’s traditional source at Gaumukh, Gangotri down to Sagar Island, beyond Kolkata, where River Ganga meets the Bay of Bengal.

Woven into stories about her own journey along the river, as an undertone this book comments on historical, geographical, social, religious and environmental aspects of the River Ganges, but is polished off with deeper spiritual truths that are embedded into lessons learned along the way.


‘Visions of Bosnia, a book about Kaleidoscopic Filmmaking’

Vision of Bosnia

Susan’s up and coming book, ‘Visions of Bosnia, a book about Kaleidoscopic Filmmaking’ tells the story of how she was invited to Bosnia by Sam Osmanagich, the discoverer of the Bosnian Pyramids, to make an artistic documentary on the Bosnian Pyramid Complex.

Starting from the very first time she ever heard about the place and continuing to describe how she synchronistically met Sam in India and then went to visit the Bosnian pyramids three times over three consecutive years, within the narrative she particularly goes into much detail about how she actually went about producing the movie, ‘Visions of Bosnia’.

But the journey was not at all straightforward!

In order to determine the layout of the movie, she first needed to discover and subsequently make 2 Photo Collage Art pieces through examining the Bosnian Pyramid Complex at many different levels.

These became ‘Crystal of Time’ (2019) and ‘Diamond Lens, Doorway to Infinity’ (2020), which now make up the first 2 pictures of Series 2 of her Photo Collage Art.

Using prominent symbols within both of these intricate pieces that themselves contain hidden meanings of universal truth in their makeup, she describes many facets of the Bosnian Pyramid Complex within their very structure.

Once infused into the very fabric of the movie as its timing, visuals, narration and music, these symbolic pictures become an integral part of it so that they may transmit the frequencies of universal symbolic truths that are contained within the pictures themselves, directly to the viewer upon watching the movie.

Although Susan has previously made films using these methods, after making ‘Visions of Bosnia’ she gave this art form the name, ‘Kaleidoscopic Filmmaking’, defining it in a way that she has not done with her other works, namely, 'Circle of Immortality', the making of which is described in her book, ‘The Living Pyramid’, as well as her films 'The Golden Bridge' and 'Crossing Bridges'.

 

The River Ganges

Since 2007, Susan has been visiting various sections of the River Ganga and both filming and photographing them.

Her extensive 13-year work on the river has led her from Ganga’s traditional source at Gaumukh, Gangotri in the Indian state of Uttarakhand high up in the Himalayas, down to Sagar Island where River Ganga meets the Bay of Bengal, beyond Kolkata.

This is the story of Ganga, of life and death, of connection to our multi-dimensional realities and of wondrous magic and healing.

Like beads on one whole necklace, a series of short movies containing the key meanings of existence will demonstrate Ganga’s holistic universal meaning. Including dynamics such as the nature of birth, life, death and beyond to a natural state of being, the movies will be purposefully laid out to shine deeper spiritual truths to viewers through an organic process of osmosis.

All the information about what and how to lay out the movies is already symbolically embedded inside ‘The Magician’s Jewel’, a Conscious Installation Device that contains all the necessary information to transmit frequencies of universal symbolic truths to the viewer through a skilful management of timing, visuals, narration and music that will be laid across the timelines of a series of movies according to Susan’s art form of ‘Kaleidoscopic Filmmaking’.

In order to do this, Susan will take different sections of the ‘Bardo Thodol’  - ‘The Tibetan Book of the Dead’, a masterpiece of knowledge on the nature of existence, each part of which relates to one or another section of ‘The Magician’s Jewel’, and spanning the entire stretch of Ganga from source to mouth and back again, weave these universal truths into stories about her own journey along the river and the lessons she learned along the way.

Susan will depict how Ganga is a flow of energy, matching various large settlements along her path with our own chakras, as portals of different intensity of vibration that may carry us from one to another conscious dimensional state, representing different qualities of mind according to their position within an octave of harmonic resonance.


Drops of Being

Firstly a film script will be written, based on the story told in ‘Drops of Being’ , which will subsequently be turned into a feature film.

Building a prototype of ‘The Magician’s Jewel’

Computer generated picture of ‘The Magician’s Jewel

 

Computer generated image of ‘The Magician’s Jewel’ with floor attached

 

After recently giving an online talk for members of the FMBR organisation located in The Bay Area, California, USA, Susan will soon be holding an in-person workshop along with FMBR later this year (2024), for which the exact dates are yet to be decided.

At this event, Susan and the other participants are going to work out which materials, including precious stones, metals and other natural items, could be used for the purpose of building a small, functional, working prototype of ‘The Magician’s Jewel’.

To achieve this, some aspects of it that are to be keenly investigated are:

  • identifying which metals and other organic products such as wood, glass (for the mirror), precious stones etc… will make up the structure of ‘The Magician’s Jewel’so that it may contain the highest levels of conductivity, piezoelectric capacity and connection to Source, resulting in combined aspects of light, sound and charge producing a working device in the manner envisaged, whilst retaining an appealing design.
  • further understanding how the unified mechanism of the polarised pair of ‘Tunnel Vision, Eye of Eternity’ and ‘The Divine Vajra’ may work together within ‘The Magician’s Jewel’ so that the entire installation is ‘alive’.
  • how this union of ‘Tunnel Vision, Eye of Eternity’and ‘The Divine Vajra’ may cause a dynamic that produces a Standing Columnar Wave (SCW) up the axis of the structure and how this may work together with a Solitron wave across its horizontal base within which the 4 whirling circular forms at its outermost reaches play a definite part.
  • how this SCW/Solitron grid may naturally and beneficially interact with the Earth’s electromagnetic grid, whose subtle energy is being more and more harmfully impacted by ‘Electro-smog’ that is the result of the increased use of electrical items and Wifi in our current age of technology, thus restoring it to balance, whilst not at all affecting our usage of electricity and the Internet.
  • how to effectively re-harmonise the subtle energy of the atmosphere around it, thus creating a conducive condition of extreme benefit for the bio-energetic structure of human and other living organisms, our Earth and the atmosphere, whereby just coming into contact with it, we may receive healing on multiple sheathes of our subtle and physical bodies, as well as re-ionise miles of atmosphere around it without causing any damage to electrical circuits or machines.
  • thinking about where on Earth this device may be set up upon the planetary grid, so as to maximise its benefit.
  • designing a more defined passageway for participants to interactively traverse ‘The Magician’s Jewel’, while they are being consciously guided through varying states of existence cited in the Bardo Thodol(Tibetan Book of the Dead), and how their focus of attention during each section may be potentially harnessed as a way to both interact with and thus aid in the operation of the overall device, thus making it a Conscious Installation Device, a genre that Susan has been developing over these past years.
  • understanding how a process of electrical phase conjugation may occur through implosion due to carefully contrived energy functions taking place due to carefully fitted together shapes, angles and toroidal fields occurring within its structure, while bringing its different aspects of light, sound and charge towards its centre where a spiral, vortex movement will take place, creating neg-entropic energy.
  • to investigate how the line of crystals within ‘The Divine Vajra’along the midline axis of ‘The Magician’s Jewel’ that at a different ‘fractal’ level represents the subtle body of human beings, may aid in activating the resonant ‘crystal’ light body of any biological creature, including humans, who come into contact with it, or near it.
  • understanding the precise structure of the Icosa-Dodeca-Icosa residing at its centre and the other shapes within it, that form the heart of the system of ‘The Magician’s Jewel’.
  • how ‘Diamond Lens, Doorway to Infinity’embedded inside ‘The Divine Vajra’ is an archetypal clock pulsing in resonant micro-macro relation with the whole of existence; from sub-atomic behaviour to the whole Universe.
  • how the 3 infinite fractal toroidal fields may function as working mechanisms to create the lifeforce of ‘The Magician’s Jewel’.
  • in particular how the mechanism of the central infinite fractal toroidal field, containing all the necessary information in its dodeca-icosa-cube-tetrahedron-octahedron aspects that are reflected as a physical shell in the outer octahedron-tetrahedron-cube-icosa-dodeca aspects, may symbolise what ‘electrically speaking’ breaks free from the physical shell at the death of our physical bodies.

Coming soon

After recently giving an online talk for members of the FMBR organisation located in The Bay Area, California, USA, Susan will be holding an in-person workshop with FMBR at Mountain View, CA on 14th September 2024.

During this workshop, Susan and the other participants are going to look at which materials, including precious stones, metals and other natural items, could be used for the purpose of building a small, functional, working prototype of ‘The Magician’s Jewel’. To achieve this, some aspects of it that are to be keenly investigated are:

  • identifying which metals and other organic products such as wood, glass (for the mirror), precious stones etc… will make up the structure of ‘The Magician’s Jewel’ so that they may fit together to enhance each other’s attributes, creating the highest levels of conductivity, piezoelectric capacity and connection to Source, resulting in combined aspects of light, sound and charge producing a working device in the manner envisaged, whilst retaining an appealing design.
  • further understanding how the unified mechanism of the polarised pair of ‘Tunnel Vision, Eye of Eternity’ and ‘The Divine Vajra’ may work together within ‘The Magician’s Jewel’ so that the entire installation is ‘alive’.
  • how this union of ‘Tunnel Vision, Eye of Eternity’ and ‘The Divine Vajra’ may cause a dynamic that produces a vertical Standing Columnar Wave (SCW) and how this may work together with a Solitron wave across its horizontal base within which the 4 whirling circular forms at its outermost reaches, play a definite part.
  • how this SCW/Solitron grid may naturally and beneficially interact with the Earth’s electromagnetic grid, whose subtle energy is being more and more harmfully impacted by ‘Electro-smog’ that is the result of the increased use of electrical items and Wifi in our current age of technology, thus restoring it to balance, whilst not at all affecting our usage of electricity and the Internet. These considerations will impact where the structure is ultimately built.
  • how to effectively re-harmonise the subtle energy of the atmosphere around it for as wide a radius as possible, thus creating a conducive condition of extreme benefit for the bio-energetic structure of human and other living organisms, our Earth and the atmosphere, whereby just coming into contact with it, we may receive healing on multiple sheathes of our subtle and physical bodies, as well as re-ionise miles of atmosphere around it without causing any damage to electrical circuits or machines.
  • thinking about where on Earth this device may be set up upon the planetary grid, so as to maximise its benefit.
  • designing a defined passageway for participants to interactively traverse ‘The Magician’s Jewel’, while they are being consciously guided through varying states of existence cited in the Bardo Thodol (Tibetan Book of the Dead), and how their focus of attention during each section may be potentially harnessed as a way to both interact with and thus aid in the operation of the overall device, thus making it a Conscious Installation Device, a genre that Susan has been developing over these past years.
  • understanding how a process of electrical phase conjugation may occur through implosion due to contrived energy functions taking place due to carefully fitted together shapes, angles and toroidal fields occurring within its structure, while bringing its different aspects of light, sound and charge towards its centre where a spiral, vortex movement will take place, creating neg-entropic energy.
  • to investigate how the line of crystals along the midline axis of ‘The Magician’s Jewel’ exactly sits within ‘The Divine Vajra’ that at a different ‘fractal’ level represents the subtle body of a human being, thus through resonance, may aid the activation of the resonant ‘crystal’ light body of any biological creature, including humans, who come into contact with it, or near it.
  • understanding the precise structure of the Icosa-Dodeca-Icosa residing at its centre and the other shapes within it, that form the heart of the system of ‘The Magician’s Jewel’.
  • ‘Diamond Lens, Doorway to Infinity’, embedded inside ‘The Divine Vajra’, pulses with a certain mechanistic time rhythm, but when lodged into the core of Tunnel Vision, Eye of Eternity that makes up the whole interior of the pyramid here, this time is corrected to tune into all octaves of harmonic resonance spanning Cosmic Time; from the minutest sub-atomic behaviour, to the entire Universe.
  • how the 3 infinite fractal toroidal fields may function as working mechanisms to create the lifeforce of ‘The Magician’s Jewel’.
  • in particular how the mechanism of the central infinite fractal toroidal field, containing all the necessary information in its dodeca-icosa-cube-tetrahedron-octahedron aspects that are reflected as a physical shell in the outer octahedron-tetrahedron-cube-icosa-dodeca aspects, may symbolise what ‘electrically speaking’ breaks free from the physical shell at the death of our physical bodies.