Next edition of ‘Visions of Bosnia’

The current rhythm and layout of ‘Visions of Bosnia’ has so far been defined by embedding the first 2 pictures in Series II of Susan’s photo collage art pieces, ‘Crystal of Time’ and ‘Diamond Lens, Doorway to Infinity’ , into the timeline of the movie.

But after 4 years of contemplating its shape and internal make up, early in 2024 Susan has just completed Tunnel Vision, Eye of Eternity’, the third in this triptych of three photo collage art pieces.

Using her own principles of ‘Kaleidoscopic Filmmaking’ to expose each of the main energetic aspects of the three pictures within the structure of the actual timeline of the movie, in this next edition, ‘Tunnel Vision, Eye of Eternity’ will be added into the current timeline like a vortex of movement pushing from the centre outwards in waves pulsating across a medium where the visuals will gather in crests and troughs as if moving within a surface.

To do this, Susan will pulsate concentric circles out from the central point of the already methodically laid out movie, back to its start and forwards to its end, using the correct spatial measurements of the cube root of Pi that defines the increasing distance between the rippling circles, each of which will also mark the boundaries of the different layers of the chakra vortices, thus infusing the movie with a pulsation of universal energy that appears everywhere, immediately.

The River Ganges

Since 2007, Susan has been visiting various sections of the River Ganga and both filming and photographing them.

Her extensive 13-year work on the river has led her from Ganga’s traditional source at Gaumukh, Gangotri in the Indian state of Uttarakhand high up in the Himalayas, down to Sagar Island where River Ganga meets the Bay of Bengal, beyond Kolkata.

This is the story of Ganga, of life and death, of connection to our multi-dimensional realities and of wondrous magic and healing.

Like beads on one whole necklace, a series of short movies containing the key meanings of existence will demonstrate Ganga’s holistic universal meaning. Including dynamics such as the nature of birth, life, death and beyond to a natural state of being, the movies will be purposefully laid out to shine deeper spiritual truths to viewers through an organic process of osmosis.

All the information about what and how to lay out the movies is already symbolically embedded inside ‘The Magician’s Jewel’, a Conscious Installation Device that contains all the necessary information to transmit frequencies of universal symbolic truths to the viewer through a skilful management of timing, visuals, narration and music that will be laid across the timelines of a series of movies according to Susan’s art form of ‘Kaleidoscopic Filmmaking’.

In order to do this, Susan will take different sections of the ‘Bardo Thodol’  - ‘The Tibetan Book of the Dead’, a masterpiece of knowledge on the nature of existence, each part of which relates to one or another section of ‘The Magician’s Jewel’, and spanning the entire stretch of Ganga from source to mouth and back again, weave these universal truths into stories about her own journey along the river and the lessons she learned along the way.

Susan will depict how Ganga is a flow of energy, matching various large settlements along her path with our own chakras, as portals of different intensity of vibration that may carry us from one to another conscious dimensional state, representing different qualities of mind according to their position within an octave of harmonic resonance.

Drops of Being

Firstly a film script will be written, based on the story told in ‘Drops of Being’ , which will subsequently be turned into a feature film.

Building a prototype of ‘The Magician’s Jewel’

Computer generated image of ‘The Magician’s Jewel’ with floor attached

After recently giving an online talk for members of the FMBR organisation located in The Bay Area, California, USA, Susan will soon be holding an in-person workshop along with FMBR later this year (2024), for which the exact dates are yet to be decided.

At this event, Susan and the other participants are going to work out which materials, including precious stones, metals and other natural items, could be used for the purpose of building a small, functional, working prototype of ‘The Magician’s Jewel’.

To achieve this, some aspects of it that are to be keenly investigated are:

• identifying which metals and other organic products such as wood, glass (for the mirror), precious stones etc… will make up the structure of ‘The Magician’s Jewel’so that it may contain the highest levels of conductivity, piezoelectric capacity and connection to Source, resulting in combined aspects of light, sound and charge producing a working device in the manner envisaged, whilst retaining an appealing design.
• further understanding how the unified mechanism of the polarised pair of ‘Tunnel Vision, Eye of Eternity’ and ‘The Divine Vajra’ may work together within ‘The Magician’s Jewel’ so that the entire installation is ‘alive’.
• how this union of ‘Tunnel Vision, Eye of Eternity’and ‘The Divine Vajra’ may cause a dynamic that produces a Standing Columnar Wave (SCW) up the axis of the structure and how this may work together with a Solitron wave across its horizontal base within which the 4 whirling circular forms at its outermost reaches play a definite part.
• how this SCW/Solitron grid may naturally and beneficially interact with the Earth’s electromagnetic grid, whose subtle energy is being more and more harmfully impacted by ‘Electro-smog’ that is the result of the increased use of electrical items and Wifi in our current age of technology, thus restoring it to balance, whilst not at all affecting our usage of electricity and the Internet.
• how to effectively re-harmonise the subtle energy of the atmosphere around it, thus creating a conducive condition of extreme benefit for the bio-energetic structure of human and other living organisms, our Earth and the atmosphere, whereby just coming into contact with it, we may receive healing on multiple sheathes of our subtle and physical bodies, as well as re-ionise miles of atmosphere around it without causing any damage to electrical circuits or machines.
• thinking about where on Earth this device may be set up upon the planetary grid, so as to maximise its benefit.
• designing a more defined passageway for participants to interactively traverse ‘The Magician’s Jewel’, while they are being consciously guided through varying states of existence cited in the Bardo Thodol(Tibetan Book of the Dead), and how their focus of attention during each section may be potentially harnessed as a way to both interact with and thus aid in the operation of the overall device, thus making it a Conscious Installation Device, a genre that Susan has been developing over these past years.
• understanding how a process of electrical phase conjugation may occur through implosion due to carefully contrived energy functions taking place due to carefully fitted together shapes, angles and toroidal fields occurring within its structure, while bringing its different aspects of light, sound and charge towards its centre where a spiral, vortex movement will take place, creating neg-entropic energy.
• to investigate how the line of crystals within ‘The Divine Vajra’along the midline axis of ‘The Magician’s Jewel’ that at a different ‘fractal’ level represents the subtle body of human beings, may aid in activating the resonant ‘crystal’ light body of any biological creature, including humans, who come into contact with it, or near it.
• understanding the precise structure of the Icosa-Dodeca-Icosa residing at its centre and the other shapes within it, that form the heart of the system of ‘The Magician’s Jewel’.
• how ‘Diamond Lens, Doorway to Infinity’embedded inside ‘The Divine Vajra’ is an archetypal clock pulsing in resonant micro-macro relation with the whole of existence; from sub-atomic behaviour to the whole Universe.
• how the 3 infinite fractal toroidal fields may function as working mechanisms to create the lifeforce of ‘The Magician’s Jewel’.
• in particular how the mechanism of the central infinite fractal toroidal field, containing all the necessary information in its dodeca-icosa-cube-tetrahedron-octahedron aspects that are reflected as a physical shell in the outer octahedron-tetrahedron-cube-icosa-dodeca aspects, may symbolise what ‘electrically speaking’ breaks free from the physical shell at the death of our physical bodies.

Building a prototype of ‘The Magician’s Jewel’

Computer generated image of ‘The Magician’s Jewel’ with floor attached

After recently giving an online talk for members of the FMBR organisation located in The Bay Area, California, USA, Susan will soon be holding an in-person workshop along with FMBR later this year (2024), for which the exact dates are yet to be decided.

At this event, Susan and the other participants are going to work out which materials, including precious stones, metals and other natural items, could be used for the purpose of building a small, functional, working prototype of ‘The Magician’s Jewel’.

To achieve this, some aspects of it that are to be keenly investigated are:

• identifying which metals and other organic products such as wood, glass (for the mirror), precious stones etc… will make up the structure of ‘The Magician’s Jewel’so that it may contain the highest levels of conductivity, piezoelectric capacity and connection to Source, resulting in combined aspects of light, sound and charge producing a working device in the manner envisaged, whilst retaining an appealing design.
• further understanding how the unified mechanism of the polarised pair of ‘Tunnel Vision, Eye of Eternity’ and ‘The Divine Vajra’ may work together within ‘The Magician’s Jewel’ so that the entire installation is ‘alive’.
• how this union of ‘Tunnel Vision, Eye of Eternity’and ‘The Divine Vajra’ may cause a dynamic that produces a Standing Columnar Wave (SCW) up the axis of the structure and how this may work together with a Solitron wave across its horizontal base within which the 4 whirling circular forms at its outermost reaches play a definite part.
• how this SCW/Solitron grid may naturally and beneficially interact with the Earth’s electromagnetic grid, whose subtle energy is being more and more harmfully impacted by ‘Electro-smog’ that is the result of the increased use of electrical items and Wifi in our current age of technology, thus restoring it to balance, whilst not at all affecting our usage of electricity and the Internet.
• how to effectively re-harmonise the subtle energy of the atmosphere around it, thus creating a conducive condition of extreme benefit for the bio-energetic structure of human and other living organisms, our Earth and the atmosphere, whereby just coming into contact with it, we may receive healing on multiple sheathes of our subtle and physical bodies, as well as re-ionise miles of atmosphere around it without causing any damage to electrical circuits or machines.
• thinking about where on Earth this device may be set up upon the planetary grid, so as to maximise its benefit.
• designing a more defined passageway for participants to interactively traverse ‘The Magician’s Jewel’, while they are being consciously guided through varying states of existence cited in the Bardo Thodol(Tibetan Book of the Dead), and how their focus of attention during each section may be potentially harnessed as a way to both interact with and thus aid in the operation of the overall device, thus making it a Conscious Installation Device, a genre that Susan has been developing over these past years.
• understanding how a process of electrical phase conjugation may occur through implosion due to carefully contrived energy functions taking place due to carefully fitted together shapes, angles and toroidal fields occurring within its structure, while bringing its different aspects of light, sound and charge towards its centre where a spiral, vortex movement will take place, creating neg-entropic energy.
• to investigate how the line of crystals within ‘The Divine Vajra’along the midline axis of ‘The Magician’s Jewel’ that at a different ‘fractal’ level represents the subtle body of human beings, may aid in activating the resonant ‘crystal’ light body of any biological creature, including humans, who come into contact with it, or near it.
• understanding the precise structure of the Icosa-Dodeca-Icosa residing at its centre and the other shapes within it, that form the heart of the system of ‘The Magician’s Jewel’.
• how ‘Diamond Lens, Doorway to Infinity’embedded inside ‘The Divine Vajra’ is an archetypal clock pulsing in resonant micro-macro relation with the whole of existence; from sub-atomic behaviour to the whole Universe.
• how the 3 infinite fractal toroidal fields may function as working mechanisms to create the lifeforce of ‘The Magician’s Jewel’.
• in particular how the mechanism of the central infinite fractal toroidal field, containing all the necessary information in its dodeca-icosa-cube-tetrahedron-octahedron aspects that are reflected as a physical shell in the outer octahedron-tetrahedron-cube-icosa-dodeca aspects, may symbolise what ‘electrically speaking’ breaks free from the physical shell at the death of our physical bodies.